"Hanako of the Toilet" is an "urban legend" in Japan. She's a ghost who haunts the toilet (usually on the third floor but it can also be any floor) of a school, and is part of the "Seven Mysteries" that pretty much every school in Japan, from primary to high-school, has. The Moving Human Anatomy Model, the Staircase with Thirteen Steps, things like that.

Hanako's origin varies depending on who you ask, but the reason for her infamy is that she's a common subject for Test of Courage. Kids would dare their friends to summon Hanako by going into the girl toilet and knock 3 times on the door of the innermost booth while asking "Are you there, Hanako?" What comes after also varies from account to account. Some say she will answer in a ghostly voice some variation of "Yes, I am", others say Hanako will drag you into the toilet booth which during that time is a gateway to Hell, etc.

She has two powers, the Pigmies and the Lord of the Flies. You could say the first power is innate to her body since she requires no outside catalyst to see/interact with the Pigmies, whereas the second power requiresa piano to be used.

Basically "God" or at least the "caretaker" of this world, and also the one who gave Lauralis her second chance at life. First appeared in end of ch25 and ch26 explaining about the soul they let escaped, past Lauralis' father's soul.

Nah, ain't no chihuahua has the strength or audacity to shoulder check you out of the blue like her. That girl is short of biting others from becoming a pitbull.

Buddy, your profile name is literally asking a fictional woman to sit on you. I don't wanna hear about "going outside" or "making friends" from the kind of basement-dweller like you. Or to hear from you ever again.

Motherfucker, again, just because something is silly DOESN'T mean it CAN'T be deep! Your logic is literally the same as people who scorn every PG-rated movie if it so much as make the kids think about a given subject even if just a little but praise the umpteenth regurgitated braindead slop of Minions as good movie. You're basically one of those retards who think just because someone is complaining about something then they must hate it.

Well, guess what, fucker? I'm complaining about something because I am actually INVESTED in said thing and wished it was better! You will not see my ass in the comment section of garbage like Rent-a-Girlfriend, the seventh bazillionth isekai trash or any of the empty coomer manhwa/manhua because there are simply better things for me to do thaj to waste my time wishing a pile of dogshit was somehow better!

Now I know have been talking to rotten brick wall, even worse than that. Because like all of your opinions thus far, including your other comment just now, the depth of your taste and perception is about that of a puddle of piss in a random back alley, which isn't a lot on top of stinking to high fucking heavens. I will bet ylur dumbass enjoys AI-generated content too because a superficial surface level seems to be that is needed to please your smooth brain.

Mika, "can't being honest" is NOT an excuse for verbal and physical abuse. There's a reason why tsundere fell off hard while all other tropes are still going strong.

I mean, have you look at his little sister? He's used to it and if anything, she's the much worse offender of the two.

Still gets a chortle out of me whenever someone calls Noa "annoying". Like, my brother in Christ, have you seen this bitch of a little sister Rihito has??? She's seriously worse than Noa in all respective categories, from clinginess, obsessiveness to completely unprompted actual physical abuse, all of this on top of a vile mouth.

Once again, either read the whole damn comment before you let another retarded word spill out of your mouth or don't. Comedy =/= dumbed down. Gintama is full of slapstick comedy, absurdist humor and dick joke, didn't stop it from being one of the deepest story ever about human bond. By that logic of yours Stranger Things season 5 is a good entry to the series and the new Animal Farm is a great modern take on a classic masterpiece.

Let me restate it so it can get through that thick skull of yours and into your smooth brain: I read a story about spy and espionage for the spy work and espionage work, not to see two toddlers get coddled and spoiled. When I read any given story I expect the characters to follow the rules laid out in advance, which is evidently not the case with these two midgets because the story would rather bends its every rules to them instead, which is not a sign of a good story because it has no coherence or integrity.

Story before had actual stake, build-up and weight to its every development. Momo was an effective and actually scary villain even when we found out everything was just going according to his plan. Now it's just all rainbow and sunshine with zero risk or consequences. Case in point, the latter story devolved to just one development being reused over and over again: kids do things and adult fix it, rinse and repeat. Case in point, beside Asa, most of his "family" are alive and kicking and "everybody lived happily ever after".

When I read a story about spy and espionage I read it for the spywork and espionage work, not about a whole family coddling and spoiling two toddlers. You clearly only read half of my comment enough to get your worthless two cents out because you also failed to grasp the whole point.

Them and Kyoichiro are the same yet why is Kyoichiro interesting and they aren't? Because the world actually reacts to Kyoichiro. Before every major fight, they lay out a plan in advance but then Kyoichiro usually just goes off and does his own thing. However, he makes sure to keep said plan in mind and ensure whatever he's doing does not impede it or inconvenience his siblings. Afterwards he is then punished by the siblings for being Kyoichiro. So for what it's worth, he actually gets his comeuppance even if the worst said comeuppance has ever been is Mutsumi pouting at him.

It is, however, not the case for these two dipshits. The world will bends itself over backwards first if it means everything happens to their advantage. The moment they're involved with the spy association the story has been dumbed down to "we have a plan and here are the things you kids should NOT do" > kids do said things anyway > "well acksually, we planned this whole thing around them not listening to our words so now let's do the real plan instead". It has become repetitive and stupid. Despite the shounen tag, the story before was lighthearted but with actual stake, now with these two it became just lighthearted and dumb. There are literally zero weights to any of the development because the kids will always get away with everything and everybody lives happily ever after.

The other reply gave a really apt description of them, "Mary Sues". Literally the most boring fucking trope in fiction ever since the conception of fiction. And if I wanted Mary Sues I'll just go read the seven bazillion trashy isekais out there. At least with those I know it's just junk food I'm getting into, whereasthe first and second half of this manga is like having an A5 wagyu steak only to suddenly have anchovies shoved down our throat.

Pinging the Bear in comment no longer works since the site has stopped using Disqus. Use the report button at either the top or the end of a chapter instead. Just type your requested title and it should be uploaded in a day or two.

Ui-beam looking ass.

Either they saw how badly ss1 was fuckedup in term of vision and tone and wanted to make it right with ss2, else that profit most probably came from the normie crowd who's only here for the waifu war and the generic flashy combat

I'm talking about the manga and if by "epic" you mean an unnecessary amount of chatter and cringey one-liners to eat up on panels, some irrelevant side characters popping up like once or twice, Kafka taking his sweet ass time to do anything and even longer just to wind up a finisher move after author sprinkled more inner monologue and flashbacks in-between then sure. You're free to enjoy things you like, doesn't make the inherent problems with said things disappear just because you view it under rose-tinted glasses.

Johagne only wants the feeling of standing on a big stage, which he had now achieved with all the viewers being at the edge of their seat on how this battle will turn out. At this point he's just along for the ride, not the destination.

Nah, Kaiju 8 had the same problem if not worse. That series was really dragging its ass with all the "last moment entrance to aura farm" and cringey one-liners. Like a solid 30 or so chapters were just shit happening -> dramatic gasp -> someone appears to fight -> bad guy goes "this isn't even my final form", rinse and repeat.

Just coming back from school, probably. Their summer vacation already ended with the campfire.

And this is why even in the lewdest of artworks I preferred if the girl still keep her clothes on instead of full nude. Because else you would've never been able to do kinky stuff like p5 and 6.

To he fair, the bra may not cover the nips but it'd still help with holding up the breasts and not have them swing around everywhere.