It has less to do with the dungeon boss killing "evil hunters" and more to do with the fact the tower restricted itself to them. There's a much higher likelihood of team-killing when everyone who enters is a criminal compared to not, and it also opens up questions about how and why Raven was able to enter the tower himself. If the criteria was "must be a criminal", then that means Raven would have had to be one as well, or the tower was selecting for a very specific trait Raven happened to share.

It's at times like these you remember that "fan" is short for "fanatic".

Waifu quality was not maintained. Hell, she straight up wasn't recognizable at first. Most of them weren't. It's just a sea of bland. A shame; I rather liked the story, but I don't think I can continue.
https://i.postimg.cc/KYj51ZgX/i.png

A few reasons. The first is that it often serves as a cry for help. I mean, this guy had plenty of methods to kill himself in a manner that isn't flashy at all. Jumping off a building is practically asking to be stopped, but it's not like you can't drive off to a cliff and go that way instead, or get the rope, or whatever. A lot of methods for suicide can't be prevented, so the ones that can often are because the perpetrator doesn't actually want to go out. The second is moral, which I won't expound upon too much—many people strongly believe that suicide is wrong, and just want to prevent it from happening. Third, pragmatism: keeping suicide as a wholly negative thing to be stopped helps prevent malicious actors from pressuring others into suicide as a method of silent murder. Without the idea suicide should be prevented, "suicides" would receive even less scrutiny.

Those who covet power hate the most when it is taken from them. He coveted someone else's disciple and hated that he wasn't strong enough to claim the discipline through his schemes, and then he hated the powerlessness he felt when he had to functionally bargain for his life.

If the game isn't for everyone, then it falls upon the organizers of the awards ceremony to give enough categories that it'll naturally draw multiple winners. If rewards are being given too narrowly, then either the performance was simply that spectacular, or the reward categories aren't broad enough. Even using Spring of Joseon here as an example, I doubt it would win an award for "best comedy", "best mystery", "best sci-fi", "best book adapted into a performance", so on and so forth. Rewards should be strictly meritocratic by their nature, in my opinion; to do anything less considerably cheapens the rewards' meaning in the first place.

The mage girl blew up that demon all on her own. There's precedent for people other than MC to pull their narrative weight now and again. I'm rooting for him managing to pull out the W.

This has been done before, though. When he first showed up, it was all fanfare and intimidation, but he actually ended up being a positive event for Kalli rather than negative. Seems to be that he just doesn't have an off-switch, where he's super intense basically 24/7 even when he doesn't intend to overtly intimidate others.

What do you mean? This is basically a perfect place to end a season? A major arc has been completed, and they showcased some of the long-term roadblocks that are going to be in store for the MC for the next arc. What are you looking for for "a good end to a season"?

Bet the dad is gonna look like the male MC, bringing the whole thing full circle.

You're right. I went back to double check, and it mentioned it being something Hrungnir wanted to tell, whereas I initially remembered it as something Smir wished to tell. I still think it's an odd thing for him to ask for, but I'll acknowledge it's less bizarre now than it was under the Smir message interpretation. Apologizing in person is going to be more impactful than apologizing through a third party like this. What is meaningfully supposed to happen if MC tells Smir his dad who died so long ago asked him to say sorry on his behalf?

Yeah. Though it's kinda fucking weird that he's like "tell my son I'm sorry", when we're seeing the memory of his son. So it's like... tell him yourself? He literally heard what you said, or else it wouldn't be in the memory. He's literally right there.

Although I've read a lot of different specifics of the story, they range from Zeus giving explicit permission with a warning Demeter wouldn't like it, to being an accomplice. Zeus was pretty much fine with the whole Hades-Persephone thing, it was just her mother that started raising hell.

Some speculation on what's going on with the hint. She gave three words—seemingly in English, that or it was amazingly redrawn—and said they would become a sentence. Each word is related to the MC, but I think that's a red herring at best, and it's not the meaning of the words that is meant to be interpreted, but the letters used for them. This is also the reason why "shinier" seems so out of place. It might be tangentially related to him to fit the "hint" impression, but it's really just to get some good letters involved for the anagram sentence. For it to specifically be "a sentence", I expect either "are" or "is", with (Noun) is/are X.

I'm a rebel, what can I say? Less facetiously, "positive relationship/rivalry" implies an either/or situation, whereas I was more interested in emphasizing both at the same time.

It's not just you, it fell off hard. Pacing issues were a complete mess—her trauma was introduced in like the previous arc, just so it could be overcome in this one rather than incremental progress. The situation itself was contrived—allies not arriving when the whistle was sounded, treadmill of "oh that guy you killed wasn't the final boss, I'm the final boss!". Raon's cringy-ass dialogue that feels way out of character for him to directly say just to some guy that's dying, clearly just meant for the audience to hear and spotlight her. The weird combat tactics he used which put her in danger—if he hadn't separated so far from her, he would be able to slash at the back of anyone trying to attack her, and present a zone of threat that made enemies have to deal with him first and allow him to use his fire better. The utterly bizarre hostage situation in the first place—why was one outside in the cold, and the other farther inside? Why keep either of them at all?
This whole arc has been a mess and a half, full of contrivances purely for the sake of driving a specific plot beat rather than a compelling story.

Most likely the Wandering Martial God is a being who rose up from nothingness to become something. In the past life, he favored MC because the MC had the same kind of terrible situation, but three dantians being open implies a foundation in another martial art—which is typical of having resources, other teachers, and so on. Basically, the constellation is a pauper who favors paupers and wants them to succeed (hence not asking much in return), and then got mad because MC looked like a pauper, but isn't actually one (in this timeline).

It's quite possible she's training to be a swordsman in part because she has that kind of trauma. She's constantly mentioning her desire to change herself. She doesn't like that she's traumatized, or that she is/was someone who could be traumatized like that in the first place.

Yes. Specifically, each of his regressions was the Rune of Regression, incremented. So the first timeline would've been 0/100, the second would be 1/100, and so on. For this timeline, since he got 100/100, he got a title instead.
It can be a bit tricky to follow because the end of this chapter is a flashback to before combat, rather than perfectly chronological. He checks his status window after all of the combat—"ah, come to think of it, there's a title I received earlier that I never saw in my past 99 tries"—and then flashbacks to when he opened his rune like everyone else did.

Everyone received a random rune before the combat even began, and his happened to be the Rune of Regression. It's not a plot hole in this case.