Honestly, I can't help but feel a bit let down by Aqua. I may not be a genius, but even I pointed out 25 chapters ago that Uehara couldn't have been the killer through some straightforward calculations. It's a tad disappointing to see a lapse in attention to detail, especially when everything else in the story has been compelling. Rather than dismissing it as lazy writing, I'm curious to understand why Aqua didn't perform a simple check to ensure he had the right person. We've seen him grapple with guilt and anger, and perhaps this presented an opportunity for him to break free from the revenge scheme and pursue a more ordinary life. Honestly, I need an answer.

I've got a feeling Yoshizumi has a thing for Ruby. I just hope he doesn't take a dark turn and become possessive or obsessive if another guy enters the picture.

I must say, that would make for an incredibly intriguing episode premise. Triggering a scandal that puts the network in hot water, only to openly investigate the cause in the very next episode, all while striving to be productive by establishing ground rules to prevent a similar scandal in the future. It's a fine line between labeling it as foolish or ingenious, but one thing's for sure—it's undeniably entertaining.

Can't help but notice that they didn't show a lot of Meiya's 'lewd' cosplay. Mostly shots of her from the neck up.

Maybe Aqua could smooth things over with the writer so they can use Tokyo Blade.

Ah, it makes sense now. Aqua is involved with Akane and steering clear of Kana to shield her from any repercussions from mentally unwell idol fans. It's evident that his primary concern is safeguarding Kana. It's a bit disheartening for Akane, considering the circumstances. However, given her sensitivity to these dynamics, she likely grasps the situation to some extent. How annoying.

I'm curious about the extent of Akane's knowledge. Does she genuinely suspect that Aqua was Gorou in his past life, or is her belief centered around him being responsible for Gorou's death, carrying a lingering sense of guilt thereafter?

Oh my goodness. I had a feeling this would unfold, but I kept silent about it. As mentioned earlier, the chances of discovering an unburied corpse 15 years after their death seemed nearly impossible. Yet, against the odds, it happened—the fated reunion of Ruby and her Sensei. This takes a dark turn that I hadn't fully anticipated.

Hold on a moment! I can't help but feel a bit foolish, and Aqua should share in this sentiment. If Seijuu passed away when Himekawa was 5, the timing doesn't align. Considering Himekawa is three years older than the twins, they would have been just 2 years old when Seijuu took his own life. Yet, Ai's death occurred when the twins were 3. It seems there's a timeline discrepancy. Let's go!

There's still work ahead, like determining if the potential father was associated with the Lalalie acting troupe during the same period as Ai. Further investigation is needed to ascertain whether this individual genuinely orchestrated Ai's death. Unraveling these connections could provide crucial insights into the unfolding mystery.

I've been contemplating whether the father orchestrated Ai's death to conceal his involvement with an underage girl. However, if that were the motive, why spare the lives of the kids? A DNA test could easily expose his culpability. Yet, considering he manipulated a lunatic to carry out the act rather than hiring a professional, my theory might not be entirely unfounded. The intricacies of the situation leave me with lingering questions about the true motives behind the orchestrated events.

This indeed seems like a promising development for Kana. As she embraces her newfound role as an idol and takes center stage in the troupe, the expectation is for her to shine the brightest. While it holds potential for her idol career, injecting a bit of selfishness into her performance might just be the catalyst needed for the play to reach unprecedented heights. The prospect of two actresses delivering truly captivating performances simultaneously could significantly elevate the overall production, resulting in a memorable and impactful viewing experience.

I'm conflicted. This acting arc of the manga has been more entertaining than the idol portions of the manga so far.

It's a nuanced situation, indeed. Akane's deep dive into psychology seems driven by her desire to understand Kana better. Her resentment towards Kana isn't rooted in roles stolen from child actresses but rather in Kana not reaching her full potential. Akane wants Kana to elevate others to her level instead of lowering her own standards. While, as a fan, one may appreciate the pursuit of excellence, the real world adds complexity. Balancing performances to let leads shine and being flexible are sometimes necessary in the professional realm. It's a reminder that acting isn't just a passion; it's a job that involves being paid to perform, even if it means occasionally acting below one's capabilities for the overall success of the project.

I understand now. Sayahime refraining from drawing her blade against Tsurugi isn't an act of arrogance but rather a subtle declaration of, 'I don't want to kill you.' It's a poignant expression of her sentiment. It's unfortunate that the actresses portraying these characters don't seem to embody this sense of camaraderie offstage, especially considering how likable they are

I have a feeling Aqua is going to be interrogated next chapter.

I'm relieved that the two were able to reconcile and collaborate. However, my curiosity is piqued about the direction this play will take. It seems like the success of the movie will heavily rely on the actors' performances, especially given the substantial changes to the story. With these alterations, it appears Kana and Akane might have the freedom to fully unleash their conflict on-stage, adding an extra layer of intensity to the production.

This chapter has truly altered my perspective on the matter. If the mangaka had the opportunity to experience this StageAround and if communication channels were clarified, I am confident that she would realize Goa wasn't entirely divergent from her envisioned Tokyo Blade.

I'd love to go to Japan and experience this firsthand.

I empathize with both perspectives in this situation. The mangaka isn't entirely at fault, given her long-standing concerns about the script being consistently overlooked. However, it's not solely the scriptwriter's fault either. Despite his attempts to accommodate her, it appears he may have misunderstood the characters and the mangaka's vision, despite being a fan. On the other hand, the mangaka, while well-versed in the challenges of the manga industry, may not fully comprehend the demands of succeeding as a scriptwriter in the broader entertainment industry. It's crucial for a scriptwriter to navigate the demands of higher-ups and deliver a product that satisfies all stakeholders. Despite the challenges, I believe if the scriptwriter is confident in his ability to do justice to the adaptation and prove the mangaka wrong, he shouldn't give up so easily. This could be an opportunity for collaboration with an admired mangaka, and while it might get complicated without the mangaka directly involved, I'm intrigued to witness the potential chaos this situation might unfold.

Perversion power over 9000