I love the emotions in this, and I do love seeing Junpei and Natsuki's relationship, but I really don't want them to get together. I'm really not the biggest fan of how Asakura George writes romantic relationships.

God, I really hope this gets an anime.

Oof. I felt Natsuki's block.

You'll get there, Junpei. I believe in you!

Was Olga-sensei speaking Japanese? Or is it just written like that for convenience? Probably the latter. In between everything, Oharada must've been translating.

Oof, Junpei. Way to demonstrate the state of Japan's English education!

I wonder if Kyoya feels a sense of kinship with Red since the latter is another case of "usage of Talent results in the detriment of one aspect of the body."

Seeing as the flashback sequence isn't over yet, and Red is talking to Nana in the present, I shouldn't need to feel too worried about what happens to Kyoya and Red and that guard.

Junpei's got monster stamina—MONSTAMINA

I hope this performance gives Junpei the catharsis he needs.

The way this manga is drawn, it's hard for me to accept that Junpei is "on the smaller side".

Is this foreshadowing of Mori-senpai's return?

"I just picked a hell I could live with" is such a powerful line. It's how I feel about my own career choices.

There really is no better trainer for Junpei than Nakamura

I kinda wanna see Luou's reaction to this new Junpei

It's good to embrace the negative parts of yourself too, but Junpei's just drowning now.

I guess it'd be cheaper and easier to find a place with one bedroom rather than two, but that means someone's gonna end up on the couch when there's an argument.

The Nightingale and The Lark excerpt implies Hibari chose to run away from home so she can finally breathe and live freely. But we don't see her do anything like pack, which makes it easy to think she'd ran off to take her own life instead.

I kinda wish I could see Rin herself saying all that crazy stuff.

I wonder if these will be the deep feelings Junpei conveys in his dancing